{"id":201115,"date":"2025-12-14T10:12:36","date_gmt":"2025-12-14T09:12:36","guid":{"rendered":"https:\/\/www.parisselectbook.com\/2025\/12\/14\/berlin-and-the-lady-in-ermine-the-new-netflix-series-that-extends-the-la-casa-de-papel-universe-into-2026\/"},"modified":"2025-12-14T10:12:36","modified_gmt":"2025-12-14T09:12:36","slug":"berlin-and-the-lady-in-ermine-the-new-netflix-series-that-extends-the-la-casa-de-papel-universe-into-2026","status":"publish","type":"post","link":"https:\/\/www.parisselectbook.com\/en\/2025\/12\/14\/berlin-and-the-lady-in-ermine-the-new-netflix-series-that-extends-the-la-casa-de-papel-universe-into-2026\/","title":{"rendered":"Berlin and the Lady in Ermine: the new Netflix series that extends the La Casa de Papel universe into 2026"},"content":{"rendered":"

One project is already causing a stir: Berlin and the Lady in Ermine, announced for 2026<\/strong>, is making its way onto the release calendar. The work is presented as a Netflix series<\/g> in development, with a plot mixing art, mystery and contemporary issues. The title whets curiosity, without revealing all its cards. <\/p>\n

What we already know about Berlin and the Lady in Ermine<\/h2>\n

From now on, the project’s positioning is becoming clearer: fiction designed for the general public, but attentive to detail. The production aims to strike a balance between entertainment and verifiable facts. What’s more, the Netflix series<\/strong> promises an accessible narrative, far removed from jargon, and centered on an art enigma that spans the ages, in the tradition of certain exhibitions in Paris<\/a> that blend heritage and contemporary narrative. <\/p>\n

The painting The Lady with an Ermine, attributed to Leonardo da Vinci, provides a solid historical foundation. Painted around 1489-1490<\/strong>, it has long nourished popular culture, as have certain emblematic exhibitions<\/a>. So, the presence of this reference heralds a documented and sensitive treatment. The Netflix series<\/strong> could draw on this heritage to reinforce the credibility of the plot. <\/p>\n

The title suggests a European base, with a possible stopover in Berlin. However, the precise shooting locations remain confidential at this stage, as is often the case for major productions shot between several cultural capitals, from Paris to the Savoie ski resort<\/g>. On the other hand, the target release date of 2026<\/g> sets a clear course for communications. The Netflix series<\/strong> is therefore moving forward on a measured basis, without the need for headlines. <\/p>\n

“A painting hunt that combines art and suspense.<\/p><\/blockquote>\n

Heritage, suspense and contemporary issues<\/h3>\n

The subject touches on sensitive terrain: the circulation of works of art and the memory of collections. Thus, the plot can deal with the traceability of paintings and the grey areas of the market, just like certain investigations into luxury goods or high-end watches<\/a> prized by collectors. What’s more, the audience will be able to rediscover familiar art thriller codes. This Netflix series<\/strong> is part of a trend that blends investigation and visual culture, in the same way as cultural itineraries designed for the general public, such as cultural outings in the \u00cele-de-France region<\/a>. <\/p>\n

The narrative could follow several temporalities to link past and present. Also, the painting becomes a character, with its journey and its secrets. In short, the setting opens up responsible and captivating narrative possibilities. The Netflix series<\/strong> can then offer a steady pace without sacrificing precision. <\/p>\n