{"id":230646,"date":"2026-06-26T09:39:38","date_gmt":"2026-06-26T07:39:38","guid":{"rendered":"https:\/\/www.parisselectbook.com\/2026\/06\/26\/ive-never-worn-jeans-in-my-life-miuccia-pradas-confession-before-reinventing-the-iconic-piece\/"},"modified":"2026-06-26T09:39:38","modified_gmt":"2026-06-26T07:39:38","slug":"ive-never-worn-jeans-in-my-life-miuccia-pradas-confession-before-reinventing-the-iconic-piece","status":"publish","type":"post","link":"https:\/\/www.parisselectbook.com\/en\/2026\/06\/26\/ive-never-worn-jeans-in-my-life-miuccia-pradas-confession-before-reinventing-the-iconic-piece\/","title":{"rendered":"“I’ve never worn jeans in my life”: Miuccia Prada’s confession before reinventing the iconic piece"},"content":{"rendered":"

When two of today\u2019s most influential designers admit they almost never wear jeans, and then present an entire collection built around that garment, something unusual is in the works. Prada<\/strong> unveiled its Spring\/Summer 2027 collection during Milan Men\u2019s Fashion Week<\/a>, and the result redefines everything we thought we knew about a garment that\u2019s been around for over 150 years. <\/p>\n

An unexpected starting point: jeans reimagined from top to bottom<\/h2>\n

Before the show<\/a>, Miuccia Prada stated bluntly: \u201cI\u2019ve never worn jeans in my life. \u201d<\/strong> Raf Simons, for his part, admitted he hadn\u2019t worn any in about twenty years. Yet it is precisely this iconic garment that they chose as the starting point for their collection. This deliberate contradiction sets the tone for a project conceived as a break with convention. <\/p>\n

The jeans featured on the runway echoed the iconic five-pocket<\/strong> design reinforced with rivets<\/strong>, invented by Levi Strauss and Jacob Davis in 1873<\/strong>. However, none of them were made of indigo denim. Instead, Miuccia and Raf Simons presented them in shades of raspberry, pink, brown, white, or yellow<\/a>, sometimes featuring geometric patterns that straddled the worlds of Gio Ponti and the Italian fashion house\u2019s instantly recognizable aesthetic. <\/p>\n

The same formal vocabulary was evident in leather pants, cut in a slim, slightly rebellious silhouette, as well as in tailored fabrics ranging from houndstooth to Prince of Wales check. Thus, while the shape remained faithful to the archetype, the materials and colors<\/a> radically shifted the garment\u2019s meaning. <\/p>\n

\u201cWe instinctively felt the need to rediscover clarity and focus. That led us to start with clothes that don\u2019t really belong to any particular era\u2014clothes that stand the test of time, that are part of history, and that people always want to wear. The question then was how to reinvent them.\u201d \u2014 Raf Simons<\/p><\/blockquote>\n

Nylon Organza or Architecture Stripped Bare<\/h3>\n

Of all the materials explored, it was the nylon organza versions that best captured the spirit of the collection. These translucent pants revealed their entire internal structure, exposing the garment\u2019s architecture like a building with its mechanical workings left exposed\u2014a vision that, in some ways, was reminiscent of the Centre Pompidou. <\/p>\n

Paired with jackets inspired by the Type III denim cut, these pieces embodied what Raf Simons described as \u201can anti-spirit\u201d: not a rejection of clothing, but a rejection of unnecessary ornamentation. Furthermore, the asymmetrical glasses worn by the models served as a visual metaphor for this approach, suggesting a different way of looking at what is familiar to us. <\/p>\n

    \n
  • Five-pocket<\/strong> jeans available in raspberry, pink, brown, white, and yellow\u2014never in indigo<\/li>\n
  • Sheer nylon organza pants that reveal their internal structure<\/li>\n
  • Geometric patterns inspired by Gio Ponti on select printed designs<\/li>\n
  • Jackets inspired by the Type III<\/strong> denim cut, paired with silhouettes<\/li>\n
  • Asymmetrical glasses as the collection’s visual signature<\/li>\n<\/ul>\n

    The Italian fashion house’s collection, reimagined in terms of its proportions<\/h2>\n

    This reinterpretation wasn\u2019t limited to just jeans. Several archetypes from the brand\u2019s wardrobe were reimagined through new materials and contexts. Claudine-collar coats, patterned sleeveless sweaters, and V-necks made a comeback with subtly shifted proportions. Some necklines plunged almost to the navel. <\/p>\n

    Single-breasted tailored jackets with broad shoulders also emerged as fundamental silhouettes, stripped of any superfluous details. For its part, the men\u2019s show featured several feminine silhouettes\u2014a presence that had become rare since the 2019<\/strong> \u201cFrankenstein\u201d show, which marked the end of the merger of the pre-collections. <\/p>\n

    Accessories also contributed to this sense of newfound freedom. Miniature versions of iconic bags were suspended from belt loops by carabiners, paired with wide, weathered leather belts. This detail gave the silhouettes a more spontaneous, less constrained look. <\/p>\n

    A collection designed for the street, not the runway<\/h3>\n

    According to Miuccia Prada, the collection was designed to give wearers room to make it their own and reinterpret it in their daily lives. Raf Simons echoed this sentiment, expressing regret that fashion now focuses more on spectacular runway shows than on clothes that are actually worn. <\/p>\n

    He maintained, however, that it is possible to express true individuality through simple clothing, provided one thinks carefully about how to put the pieces together. In his view, the most significant developments in fashion also emerge from the streets, from creative individuals, and not just from major fashion houses. <\/p>\n

    An aversion to ornamentation elevated to the level of an obsession<\/h2>\n

    In the show notes, Miuccia stated: \u201cRight now, nothing irritates me more than ornamentation\u2014unnecessary design elements.\u201d<\/strong> During the interview leading up to the show, she went further, describing this aversion as an \u201cobsession.\u201d For her, ornamentation can only exist if it conveys an idea, whether it criticizes or celebrates wealth\u2014otherwise, it has no reason to exist. <\/p>\n

    Raf Simons concluded this thought with a straightforward statement: \u201cIf we\u2019re completely honest, we both instinctively felt that this collection was born out of everything we no longer want to see today. \u201d This statement sums up the central theme of the entire fashion show: not fashion that seeks to impress, but fashion that seeks to convey meaning.<\/p>\n

    As a result, Prada\u2019s<\/strong> Spring\/Summer 2027 collection stands out in 2026 as one of the season\u2019s most cohesive offerings. It poses a simple yet radical question: Can we start from scratch\u2014with a garment that everyone thinks they know\u2014to reinvent everything? <\/p>\n","protected":false},"excerpt":{"rendered":"

    When two of today\u2019s most influential designers admit they almost never wear jeans, and then present an entire collection built around that garment, something unusual…<\/p>\n","protected":false},"author":13,"featured_media":230232,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2685],"tags":[5504],"quartier":[],"class_list":["post-230646","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-du-luxe-en","tag-prada"],"acf":[],"yoast_head":"\n"I've never worn jeans in my life": Miuccia Prada's confession before reinventing the iconic piece<\/title>\n<meta name=\"description\" content=\"Prada is focusing on clean, unadorned jeans for its Spring\/Summer 2027 collection, designed by Miuccia Prada and Raf Simons.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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