Advice from a makeup artist after 50: these 5 makeup mistakes that age you every day

Conseil d'une maquilleuse après 50 ans : ces 5 erreurs de maquillage qui vous vieillissent au quotidien
ParisSelectBook - Maquilleuse après 50 ans : ces 5 erreurs de maquillage qui vous vieillissent au quotidien - Crédit photo © Paris Select Book

After the age of 50, make-up can help or hinder. A make-up artist reminds us of simple gestures, based on observation and listening. A clear plan helps to sublimate without masking.

Five mistakes that harden features after 50

In a recent Grazia feature, a makeup professional details 5 common mistakes made after the age of 50. From the outset, the make-up artist insists on adjusting textures. In short, the right product is less important than the right dose.

Full-coverage foundation sets, especially if it’s too matte. The make-up artist recommends 1 to 2 thin coats, applied from the center outwards. What’s more, adamp sponge warms the material and smoothes it out better.

Base and complexion: lightness and luminosity

Moisturize first, as skin drinks up dry formulas. Next, a luminous base corrects without thickening the surface. Consequently, diffused light softens shadows; if skin reacts, consult, then test on the jawline.

“Less substance, more light: maturity demands delicacy.”

Powder is not banned, but it must be strategic. On the other hand, the make-up artist suggests targeting the T-zone and nasolabial folds. Also, a pressed micro-powder avoids the flour effect and holds better.

Eyes: eyebrows, liner and makeup that look younger

Eyebrows that are too dark instantly harden the look. A make-up artist recommends a lighter shade to soften the expression. What’s more, the gel brush sculpts, then fills in without creating blocks.

  • Lighten the coverage, then add only where necessary.
  • Apply locally, not all over the face.
  • Prefer soft shades to brittle contrasts.
  • Work in thin layers, allowing each step to settle.
  • Focus on light and hydration to smooth optically.

The black line in the mucous membrane shrinks the eye and causes fatigue. So, according to the make-up artist, a taupe-brown pencil under the lashes opens up better. Then, an outer corner raised by two millimeters lengthens without pulling.

Choose fine satin shadows, as they gently reflect light. However, avoid thick glitter, which emphasizes creases. Also, a warm halo on the mobile eyelid gives relief.

Mascara structures, but weighs down if the brush is too busy. So, press a tissue onto the applicator, then zigzag to the root. The make-up artist recommends a second coat only on the outer corners.

Lips: volumes, contours and care

Prepared lips carry color and texture better. A weekly gentle exfoliation and a rich balm make all the difference. The make-up artist reminds us that preparation prevents smudging in creases.

The pencil serves as a guide, not a rigid barrier. On the other hand, a blurred contour with a brush makes the volume look more natural. In addition, the make-up artist likes to place a touch of gloss in the center.

Deep plum hues often shrink the mature mouth. So pinks, light berries or fresh coral instantly warm up. Also consider a lip stick with SPF 30+ to protect the contour.

Blushes, textures and colors that lift effortlessly

Well-placed blush visually lifts the features. Therefore, apply it to the top of the cheekbones, then stretch towards the temple. The make-up artist recommends keeping the space under the eye clean and luminous.

M.A.C – Glow Play Blush offers a supple gel-cream texture, ideal for mature skin. As a result, the material melts without marking and revives the cheek with a fresh veil.

Peach, rosewood or light raspberry tones energize the complexion. Also, tap first, then smooth upwards to create a lift effect. The make-up artist suggests unifying the color message with a touch on the temples.

A water-based setting spray provides hold without thickening. From now on, the priority is light, not systematic coverage. In short, a seasoned make-up artist thinks in thin layers, adapted to each zone.

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