Design Exhibition: the event not to be missed in December 2025

December 2025 promises to be a busy time for lovers of useful shapes. This design exhibition, highlighted by the decorating press, promises a concrete look at our uses. Materials, gestures and narratives respond to each other without gratuitous effect.

Why this design exhibition is the talk of the town

The event showcases both established designers and young studios. What’s more, the staging favors detail and dialogue with craftsmanship.

According to the announced selection, the exhibition links living objects and manufacturing issues. This design exhibition aims to clarify material choices. As a result, visitors can better understand the impact of a chair or a lamp.

The program opens up to small-scale production and made-to-measure pieces. On the other hand, the race for the spectacular is giving way to the practical. In addition, the public circulates by theme rather than by signature.

“Design becomes legible when the material tells the story of a way of living.

Practical information about the design exhibition

The event takes place in the second half of December 2025. So booking early is still useful for weekend slots. Moreover, mornings seem to be more fluid for viewing the highlights.

Families will find a short itinerary, designed for a calmer pace. Accessibility is now an integral part of the set designers’ brief. As a result, signage will be clear for all.

• Dates: confirmed in December 2025.
• Times: mornings and early afternoons preferred.
• Time-stamped ticket: useful for avoiding waiting times.
• PRM access: provide a dedicated reception contact.
• Transport: choose a route with a time margin.

Materials, textiles and scenography: design for the present exhibition

The exhibition focuses on the production chain, from prototype to finished product. Wood, metal and glass coexist with textiles. What’s more, upcycling is displayed without dogma, with measure and proof.

Christian Louboutin – artistic direction (Textile). Here, couture meets the object, and color guides the hand.

The curators speak of legible assemblages and assertive joints. Yet nothing is set in stone: some pieces evolve over time. In short, we’re looking at the making as much as the end.

Light supports textures, never the other way around. Also, the legends detail the life cycle and channels. As a result, everyone links aesthetics, cost of use and durability.

To prepare your visit

Before you come, clarify your priorities into three themes. That way, you’ll save time on site and remain available for the unexpected. What’s more, keep a notebook to jot down references and useful contacts.

Rithika Merchant – embroidered panels (Textile). Her narrative approach structures a room and echoes the design exhibition.

What this meeting reveals about the moment

The season confirms the return to the local, without closing the door on exchanges. Publishers are now teaming up with art workshops. In short, technical excellence is in the joints, not in the slogans.

The ecological issue is progressing with concrete proof. For example, material data sheets cite processes, tolerances and limits. On the other hand, labels remain a support, not an end in themselves.

Underneath it all, the public is looking for reliable reference points and sincere objects. As a result, this design exhibition acts as a discreet guide. It traces a simple path between desire, use and responsibility.

• design exhibition